Thoughts on the 2019 Tony Nominations

Although I earn my living selling residential real estate in New York City, my unpaid second job might be called “patron of the arts” as I absolutely love experiencing the rich cultural offerings that exist in this city. A particular passion is Broadway theatre – so much so that when I moved after decades living on the Upper East Side, I chose Midtown West in part because of the proximity to the Theatre District. I see so many shows that I am often asked my advice on what to see by those who know me. I go to shows to enjoy them, not to be a critic, and it is extremely rare for me to think after seeing something that I would have been better off staying home. That being said, I do end up forming opinions, and sometime pretty strong ones, so it is always enjoyable to weigh in on the Tony Award nominations.

Best Play
Choir Boy
The Ferryman
Gary: A Sequel to Titus Andronicus
Ink
What the Constitution Means to Me

Best Play is overshadowed by the absence of the play many thought would vie with The Ferryman for the win but ended up not even being nominated: To Kill A Mockingbird. There is speculation that the snub was directed toward the producers for some of the controversy associated with the handling of rights, which I have no insider info about and won’t speculate upon. However, I will say that this has been an exceptionally strong year for new plays, and all five of these are excellent. However, there is only one I have seen twice: The Ferryman. Epic and yet somehow still intimate in scope, I found it extraordinary.

Best Musical
Ain’t Too Proud – The Life and Times of the Temptations
Beetlejuice
Hadestown
The Prom
Tootsie

A good year for new musicals. Although I enjoyed Beetlejuice I probably wouldn’t have included it (personally I would have added Head Over Heels which I adored). I think The Prom and Ain’t Too Proud both have a chance of winning, but if it were up to me there is no question that I would go with Hadestown. I’ve been telling people to go see it since before it opened, based on my experience when it was Off-Broadway several years ago. However, after time spent in Canadian and London productions, it came to Broadway in spectacular form and is my favorite musical since Hamilton. I’ve seen in three times in previews (once from balcony, once from mezzanine, once from orchestra) and already have a date to see it again this summer.

Best Revival of a Play
Arthur Miller’s All My Sons
The Boys in the Band
Burn This
Torch Song
The Waverly Gallery

A good year for play revivals. I would probably go with The Boys in the Band here, which was a limited engagement so no longer on Broadway but will be on Netflix with the entire cast from this revival, so keep an eye out for that.

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Best Revival of a Musical
Kiss Me, Kate
Rodgers & Hammerstein’s Oklahoma!

This was a strange year in that only two musical revivals opened on Broadway this year, and both are nominated. They could not be more different: Kate was tweaked to make the story somewhat less offensive, but Oklahoma! was completely transformed without changing a single word or note. This version is divisive and seems to be a “love it or hate it” production since the tone and sound is so different from what some expect. I saw it at St. Ann’s and again on Broadway, and hope (and expect) it to win this category.

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Best Book of a Musical
Ain’t Too Proud — The Life and Times of the Temptations, Dominique Morisseau
Beetlejuice, Scott Brown & Anthony King
Hadestown, Anaïs Mitchell
The Prom, Bob Martin & Chad Beguelin
Tootsie, Robert Horn

It’s possible Tootsie will win this category, but my vote would go to Hadestown.

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Best Original Score (Music and/or Lyrics) Written for the Theatre
Be More Chill, Music & Lyrics: Joe Iconis
Beetlejuice, Music & Lyrics: Eddie Perfect
Hadestown, Music & Lyrics: Anaïs Mitchell
The Prom, Music: Matthew Sklar Lyrics: Chad Beguelin
To Kill a Mockingbird, Music: Adam Guettel
Tootsie, Music & Lyrics: David Yazbek

A few things to note in this category: TKAM was nominated for its incidental music in a play, very unusual. Also, this is the only nod to Be More Chill which has been a YouTube and Off-Broadway sensation but which has struggled to fit in on Broadway. I will be shocked if Mitchell doesn’t win this for Hadestown, and well deserved.

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Best Performance by an Actor in a Leading Role in a Play
Paddy Considine, The Ferryman
Bryan Cranston, Network
Jeff Daniels, To Kill a Mockingbird
Adam Driver, Burn This
Jeremy Pope, Choir Boy

This is probably between Cranston and Daniels, and my guess is that Daniels will win. He has a difficult job playing Atticus, an iconic and yet paternalistic character while somehow also managing to signal an awareness of the paternalism. Cranston was the best part of Network, so it’s possible he could win. My sentimental favorite to win, though is Jeremy Pope in Choir Boy, a fantastic performance (and his Broadway debut!) that I will never forget.

Best Performance by an Actress in a Leading Role in a Play
Annette Bening, Arthur Miller’s All My Sons
Laura Donnelly, The Ferryman
Elaine May, The Waverly Gallery
Janet McTeer, Bernhardt/Hamlet
Laurie Metcalf, Hillary and Clinton
Heidi Schreck, What the Constitution Means to Me

Such a tough category! I have no idea who will win here. It could go to May for her terrific performance, to Donnelly for reprising the role for which she won the Olivier, for Metcalf for once again showing that she commands the stage in any role she takes on, or Schreck (unlikely, but perhaps a way to signal approval for the play itself which will likely not win). Who would I vote for? Metcalf, for becoming Hillary – or at least Hillary as we imagine her – without in any way doing an impersonation.

Best Performance by an Actor in a Leading Role in a Musical
Brooks Ashmanskas, The Prom
Derrick Baskin, Ain’t Too Proud — The Life and Times of the Temptations
Alex Brightman, Beetlejuice
Damon Daunno, Rodgers & Hammerstein’s Oklahoma!
Santino Fontana, Tootsie

A solid group. I suspect Fontana might win this for his dual role of Michael/Dorothy in Tootsie (and it is impressive, in that even his singing voice is different as Dorothy). If I had a vote, it would be difficult, but I might go with Ashmanskas in The Prom.

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Best Performance by an Actress in a Leading Role in a Musical
Stephanie J. Block, The Cher Show
Caitlin Kinnunen, The Prom
Beth Leavel, The Prom
Eva Noblezada, Hadestown
Kelli O’Hara, Kiss Me, Kate

I suspect SJB has his one sewn up, not only for this role but for all the terrific work she has done over the years. I would probably vote for her, too, but it’s a tough category for me.

Best Performance by an Actor in a Featured Role in a Play
Bertie Carvel, Ink
Robin de Jesús, The Boys in the Band
Gideon Glick, To Kill a Mockingbird
Brandon Uranowitz, Burn This
Benjamin Walker, Arthur Miller’s All My Sons

This might be the most competitive category this year – I can see any one of the five nominees winning. A difficult decision for me to cast my imaginary vote, but I will go with Glick in TKAM.

Best Performance by an Actress in a Featured Role in a Play
Fionnula Flanagan, The Ferryman
Celia Keenan-Bolger, To Kill a Mockingbird
Kristine Nielsen, Gary: A Sequel to Titus Andronicus
Julie White, Gary: A Sequel to Titus Andronicus
Ruth Wilson, King Lear

I think this category is between Keenan-Bolger in TKAM and White in Gary, but I believe the two women in Gary might split the vote. I would go for Keenan-Bolger, as playing the iconic role of Scout, a child, as an adult has to be difficult and yet she was able to completely inhabit that role in a very natural way.

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Best Performance by an Actor in a Featured Role in a Musical
André De Shields, Hadestown
Andy Grotelueschen, Tootsie
Patrick Page, Hadestown
Jeremy Pope, Ain’t Too Proud — The Life and Times of the Temptations
Ephraim Sykes, Ain’t Too Proud — The Life and Times of the Temptations

Such a tough category! Here is Jeremy Pope, being nominated in a musical category as well as best actor in a play, which is highly unusual. You have two pairs competing against each other in the same show. I think a major absence in this category is Patrick Vaill’s Jud in Oklahoma!, which I thought was exceptional. For me this comes down to two excellent performances in Hadestown by De Shields and Page. I would be thrilled with a tie, as both of them are absolutely riveting in the show. If I had to cast a vote, I would tip toward De Shields because he simply owns the stage with the smallest gestures  – when have you seen someone get applause for unbuttoning a jacket?

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Best Performance by an Actress in a Featured Role in a Musical
Lilli Cooper, Tootsie
Amber Gray, Hadestown
Sarah Stiles, Tootsie
Ali Stroker, Rodgers & Hammerstein’s Oklahoma!
Mary Testa, Rodgers & Hammerstein’s Oklahoma!

This is probably between Gray in Hadestown and Stroker in Oklahoma! Although both are wonderful performances, Gray’s is exceptional and arguably a leading role. I am hoping to see her win this one.

Best Direction of a Play
Rupert Goold, Ink
Sam Mendes, The Ferryman
Bartlett Sher, To Kill a Mockingbird
Ivo van Hove, Network
George C. Wolfe, Gary: A Sequel to Titus Andronicus

Five powerhouses of directing! All male, but hopefully the industry is slowing breaking down that monopoly. All five were masterfully directed, but my vote would go for Sher.

Best Direction of a Musical
Rachel Chavkin, Hadestown
Scott Ellis, Tootsie
Daniel Fish, Rodgers & Hammerstein’s Oklahoma!
Des McAnuff, Ain’t Too Proud — The Life and Times of the Temptations
Casey Nicholaw, The Prom

I suspect this category will come down to Chavkin for Hadestown or Fish for Oklahoma! I am hoping to see Chavkin win this – I thought she also deserved the win for Great Comet a few years ago.

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The Tony Awards will be shown live on CBS Sunday, June 9th, starting at 8PM, and you can bet I will be watching! If you want to throw a Tony party, the official site has some fun downloads, including ballots to fill out, Tony Award bingo cards, and such (you can find that here). I’m interested in your opinions, too, so don’t hesitate to reach out with any comments or disagreements (!) and I’ll see you at the theatre . . .

Hello, Hudson Yards!

In October of 2014, 4 1/2 years ago, I wrote a blog post about a new neighborhood that was beginning to be built over rail yards west of Penn Station, Hudson Yards. In it, I concluded, “To walk in Hudson Yards is to be present at the birth of a new neighborhood, one that seems limitless in terms of how it will change the landscape of New York City.”  In October of 2017, I was able to take a hardhat tour of the site, well on its way but still with far to go before being open to the public (see below for a few photos from that visit).

 

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A few days ago, in March of 2019, I was able to spend an afternoon in Hudson Yards only a few days after its official opening. Hudson Yards is not even midway to completion, and after following this development for so long, I thought there was a good chance I might be underwhelmed or (worse) disappointed. And yes, yes, yes, I read the NY Times review, and was told by the New Yorker that there is no good reason why any resident would visit Hudson Yards – but I would much rather experience something and make my own judgements! Spoiler alert – I enjoyed Hudson Yards far more than I had expected and see myself spending a lot of time here soon and in years to come. If you don’t understand Hudson Yards or dislike the constant change in NYC’s skyline and neighborhoods, check out my photos and experience – perhaps you will then also go and make your own decision. Like it or not, Hudson Yards is here and is going to be a major player in this city.

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When approaching Hudson Yards, it’s hard to miss. Even this half, Hudson Yards East, of the total planned development is still partially under construction.

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I walked to Hudson Yards from Midtown West, but an extension of the 7 subway line lets you off there if you are coming from elsewhere in the city.

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The focal point of the development is the Vessel, a public sculpture created by Thomas Weatherwick. I will describe the process of exploring it later in this post. The building just behind the Vessel is the Shed, a performing arts venue that is being curated by Alex Poots, former Artistic Director of the Park Avenue Armory. The Shed is creatively designed so that it is a flexible space suitable for many different types of events.

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The Shops at Hudson Yards are extremely welcoming, with high ceilings and wide walkways. I saw many restaurants I am interested in trying.

And so many shops, including smaller ones like Dylan’s Candy Bar and Li-Lac Chocolates:

The most famous retail tenant is the first Neiman Marcus in New York City:

The experience inside the Shops is very pleasant. There were lots of people (surprisingly so, just a few days after opening) but enough space not to feel crowded.

Eventually there will be the highest open-air observatory in the Western Hemisphere here, called the Edge. I will be there when it opens (likely next year)!

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Leaving the Shops to climb the Vessel, I had a look at the Shed and can’t wait to start experiencing art here.

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The Vessel (wisely, I believe) limits the number of people entering at any given time by requiring timed tickets, but they are free. I reserved mine in advance here but they do save some same-day tickets as well that can be picked up near the Vessel. However, if it’s a busy time, your ticket might be for a few hours from when you pick it up.

The Vessel is a concrete and copper outdoor sculpture with 2500 steps and 154 flights of stairs, eventually reaching a height of 16 stories. There is an elevator and ramps to make it accessible, but if you are able to explore it by foot, I recommend doing so. The stairs don’t seem too intense since they are short flights and you keep stopping to look at the views (however, you must wear comfortable shoes, and my calves were sore the next day despite not thinking it had been too bad while on the Vessel). It’s also not possible to do a direct trip, because the sections keep going up and down on each level. What I did was to go up (back and forth) on the Hudson River side to see those views, walk around the top to see all the views from there, and then walk back on the east side of the Vessel to see different views from that side.

The reflective quality of the copper led to some interesting photos. I predict that eventually everyone will be taking selfies of their reflection like you see people do in Anish Kapoor’s “Cloud Gate” in Chicago’s Millennium Park.

What I found most interesting was the way the pattern of the sculpture kept changing at different levels.

Even the pattern of people on the sculpture constantly changes so that your experience of what the Vessel looks like is fluid. I look forward to seeing it at different times of day (sunset or evening would be very interesting) or different weather patterns. The Vessel is open in all kinds of weather, and I noticed that the steps were rough concrete to make them safer during rain or snow.

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Since I am a real estate agent, I have also been to the sales offices at Hudson Yards. which are amazing. There is a 360 degree movie inside a room that really gives you the feeling for the neighborhood as it develops, for instance. 15 Hudson Yards is already closing apartments, and 35 Hudson Yards has just begun selling (the developer of Hudson Yards likes this building so much he will be living in the penthouse when it is completed). There are also two rental buildings available, 1 Hudson Yards and Abington House. From Hudson Yards, you can walk the High Line to the Whitney Museum, one of my favorite strolls in all of the city. I thought when on the Vessel that the people-watching from some of these apartments will be a little like some of the apartments elsewhere on the High Line, like the fabulous Zaha Hadid 520 West 28th. From others you will have spectacular city views of the Empire State or One World Trade buildings, or Hudson River views (from the larger and higher apartments, you can have them all!). Reach out to me if you would like to check out apartments at Hudson Yards. My belief is that this entire part of town will appreciate in value due to this development, much as the creation of Lincoln Center transformed its neighborhood

So go to Hudson Yards and decide for yourself what you think. It’s often difficult for people to adjust to change, but the constant drive for metamorphosis is what has made, and continues to make, New York City the vibrant evolving place to live that it is.

New York City Holiday Markets

New York City has a different kind of beauty in every season, but it never shines as bright as during the holidays. Many other years I have posted about the yearly holiday decorations (see here and here and here and here for instance!) but this year I wanted to shine a light on the many holiday markets that spring up, roughly from Thanksgiving to New Year’s. While it is very easy to find gifts for your loved ones on Amazon, I guarantee that the array of small vendors with unusual gifts will enable you to find something unique for everyone on your list. And while there is a certain level of comfort in shopping online in your pajamas, shopping in a NYC holiday market is an experience that surrounds your senses with holiday spirit. I can’t loop the jaunty sounds of Vince Guaraldi’s “Linus and Lucy” theme, or provide the scents of hot cider and spruce candles, but I can show you some of the sights of the markets that brighten the city this time of year.

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Central Park is without a doubt my favorite place in all of New York City (see a few previous love letters here and here and here and here!) and if you are walking out of the park in December toward the southwest corner, you begin to spy the stalls of the small but atmospheric Columbus Circle market.

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Limited by its geography in size, this market is on the smaller side but has lots of interesting options.

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The great thing about these markets is that you don’t go looking for a specific item, but as you browse, something may just catch your eye as a perfect gift for a particular person (a unique and beautiful wine stopper for the oenophile in your life?).

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These ornaments make a terrific souvenir for visitors to the city,  but can also be personalized to give as a gift to the host or hostess of the holiday party you are heading to during this month.

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It’s hard to beat the visual drama of this market, with Central Park on one side and the towers of the Time Warner building rising on the other.

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Another market limited in size by the constraints of its location is the one in Grand Central Terminal.

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This one is just off the 42nd Street side of Grand Central, or if you are inside the main hall, just off that towards 42nd Street.

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If you go to a lot of these markets, you will see a few repeating shops, but surprisingly the vast majority are one-of-a-kind. For example, the Harlem Candle Company, which I love, is only at the Grand Central market. For that matter, they have no storefront, so the only way to smell these candles based on the Harlem Renaissance is to find them at this market (most of the year they are online only).

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Some markets only run for a few weeks, like the market at CityPoint in Brooklyn. The Arctic Adventure popup is throughout the season, but for a few weekends there is also a crafts-based market.

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The market here has some vendors that are Brooklyn-based and only found at this market.

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An indoor market, while less scenic, is certainly potentially more comfortable (I was here on a cold and rainy day!). And if at CityPoint, be sure to head downstairs to the DeKalb Market for lunch or dinner.

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Now we are moving on to one of the larger holiday markets, the one in Union Square.

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Easily accessible from multiple subway lines, this market is worth a few hours of your time, if you can spare it.

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My recommendation for this market, if you can, is to go on a weekday. Seen here, it will still be busy but you will be able to get around without too many crowds.

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Again, this is a place to wander and wait for the right gift to show itself. This stall sells kits for someone to make their own beer, or cheese, or sourdough pretzels.

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At all of the markets, there will be some vendors selling hot cider, or cocoa, or holiday treats to eat.

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I love seeing the Empire State Building off to the north through all the stalls.

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Finally, I come to the Bryant Park Winter Village, perhaps the largest and most elaborate of the markets. There’s an ice skating rink under a large Christmas tree. Skating itself is free although skate rental does involve a cost.

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Just behind the NYPL on Fifth and 42nd Street, blocks from Times Square, this market is a small-scale delight surrounded by the heart of large-scale Manhattan.

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There are some very unusual shops here – this is from a very luxurious resort and spa in Montauk.

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An actual outpost of the Metropolitan museum gift shop – the only one I’ve seen other than the ones in the museums.

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Similarly, to see an outpost of the famous Strand bookstore is a wonderful surprise.

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It’s hard to resist a stop of the Santa Claus Cafe, although at Bryant Park there are multiple options for food and drink, including a bar area to warm up with something alcoholic.

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Imagine, you can even visit the North Pole before taking in a Broadway show a few blocks away!

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As with the Union Square market, going on a weekday, but not during lunch or after work hours, will net the most space to walk around. However, this market is so large and well laid out that even in a crowd it doesn’t seem as overwhelming as the meandering Union Square can.

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Aaah, New York City during the holiday season. In the immortal words of the sign seen at Bryant Park Winter Village, “this place does not suck.” I could not agree more.

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Goodbye to Glaser’s Bake Shop, the heart of Yorkville

On Sunday, July 1, Glaser’s Bake Shop at First Avenue and 87th Street in Yorkville will close its doors for the final time. Opening on April 2, 1902, Yorkville was still a sleepy German-American enclave at that time, and the shop was primarily created to produce and sell bread. Over the years, as Manhattan evolved and Yorkville changed, Glaser’s adapted as well to be known throughout the city for its pastries, cookies, cakes, and pies. Living a block away for 13 years, my three daughters simply called it “the bakery.” When it ends, it is truly the end of an era in this neighborhood, and I pay tribute to it with this photo essay.

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It was quite a shock when this sign appeared outside Glaser’s. Apparently the entire building the bakery is in is going to be sold and re-developed.

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The display case facing First Avenue has always rotated for seasonal displays. Their gingerbread cookies in December will be missed, as well as their more unusual items such as bread with a colorful Easter egg in the center in the spring (Italian Pane di Pasqua) or King Cake for Mardi Gras. If you were looking for decorated cookies for Valentine’s Day, July 4th, Halloween, or Thanksgiving, Glaser’s always had a unique assortment.

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The pastries offered varied day-to-day depending on what they had made and not sold out of. Everything was baked in house.

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Displays inside the store reference its historic past.

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Glaser’s birthday cakes could be ordered and personalized in advance, and innumerable children growing up on the Upper East Side featured these at their parties.

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“Whoopie pies” were one of Glaser’s more unusual offerings. If you can’t decide between a cookie and a cupcake, why not try cookies with icing in the middle?

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Glaser’s was perhaps most famous for it’s iconic NYC black-and-white cookies.

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Cake donuts and danishes never disappointed.

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The top row of this display shows the two kinds of brownies – with nuts or without (but with chocolate chips). If you happened to walk past Glaser’s when these were baking, the delicious chocolate scent would follow you for most of the block.

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You could see past the displays right back to the baking area. An old clock reminds us, “The time is NOW!”

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Glaser’s closes July 1, 2018. Get there before it closes if you can – Saturday mornings the line can be out the door. Closed Sundays and Mondays, cash only. When Glaser’s is gone, I feel that a lovely chapter in the history of Yorkville will be ending. Thanks for the memories, Glaser’s – and for delicious treats that were like traveling back in time.

Hard hat tour of Three Waterline Square

One of my favorite things about being a real estate agent in New York City is the occasional opportunity to see a residential building early in its development. A real treat is to be able to have a tour of the building while still under construction, and I was recently able to experience this at Three Waterline Square –  including a very special opportunity to meet and hear from its architect, Rafael Viñoly. Having any hard hat tour is different from visiting a new development showroom, or touring a completed building, and this is clear from the outset, as you are required to sign a release from liability before you are allowed on the site! The hard hat is also mandatory (and in this case, we were able to keep them, so my Hudson Yards hard hat now has a companion).

Walking through the Waterline Square site, you can see that all three buildings are well underway. The development, when completed, will feature the three residential towers surrounding a three acre park, on the Hudson River between 59th and 62nd Streets. The towers will share the Waterline Club, with pools, an indoor tennis court, squash and basketball courts, fitness center, rock climbing wall, screening room, and numerous other amenities for residents. Open to the public will be a food hall, market, restaurant and bar by Cipriani.

After passing through the construction site, I entered a construction elevator attached to Three Waterline Square. If you have never been in one of these, they are completely different from a standard passenger elevator. They are more like a giant metal box attached to the outside of the building, and generally used to transport construction materials.

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Despite the fact that we were walking on a concrete slab on the 24th floor, a small lounge had been set up for us, with breakfast and places to sit. This was a special treat, as generally a hard hat tour is a no frills experience.

The light and views are lovely through the expansive windows. Apartments on the west side of the building can have Hudson River views.

One of the amusing things about being on a construction site are the reminders that you are not in a completed building. For instance, the areas marked “Hole” (and there were plenty) are just wood placed over an opening in the concrete slab (for later placement of pipes). Needless to say, you are warned not to step on them. Standing next to the edge of the slab near the windows, you can see open space all the way down to ground level.

Apartments on the east side of the building will have city views – southeast apartments can have a view of the Empire State Building.

When the architect, Rafael Viñoly, spoke he gave some very interesting insights on how the location of Three Waterline Square informed his design of the building. He pointed out that the windows on this building (the design of which, to me, will eventually conclude in a very cool looking tower that reminds me of a crystal, or even of Kryptonite!) have all been designed to maximize the view, but specifically a view that is framed by the city. I wrote once on the value of a city view (you can read it here) and how a great iconic city view can remind you that you are in the center of it all, as well as giving an almost cinematic experience. Even the Hudson River views at Three Waterline Square are framed by glimpses of the surrounding buildings – while a full river view can give you the feeling of being on a cruise ship, these views are clearly rooted in the city.

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I wrote a post several years ago about the controversy regarding all the new development in NYC residential real estate (you can read it here). I don’t generally agree with the idea that people can be divided into two categories regarding any topic, as people’s opinions are generally more nuanced than that, but it can be a useful way to think about an issue. I do find that most people I speak to about new development in NYC are either critical of it (especially the changes in Manhattan’s skyline) or excited by it. In my previous post, I pointed out that New York City is constantly evolving – that’s part of its ever-youthful charm – and that we have historic preservation in place not to prevent development, but to be sure that we don’t completely erase the city’s past in our excitement about its future. Between the massive development at Hudson Yards and this  at Waterline Square, I believe that the far West Side of Manhattan will be completely transformed over the next decade – and I find that very exciting. As I walk around the green parkland surrounded by gleaming towers one day, I will always be able to remember walking on a concrete slab when this area was caught halfway between the dream of what the area could become, and its reality.

Hamilton Grange

With the ongoing smash success of the Broadway musical “Hamilton,” there has certainly been an increased interest in learning about Alexander Hamilton (see my past blog post about this here) and the areas in NYC associated with him. What many may not realize is that the home that Hamilton built in what is now known as Hamilton Heights is now a National Park Service site. On a recent day, I decided to head up to Hamilton Heights and tour Hamilton’s home, The Grange.

Before heading to the Grange, my companion and I had lunch at a cool spot nearby called The Grange (just to set the mood!). The food and atmosphere were both really enjoyable.

Walking from The Grange to the actual Grange, we passed plenty of reminders that this is Alexander’s part of town.

Hamilton Heights is gorgeous, and these townhouses are still relative bargains compared to a similar home on the Upper West Side, for instance. Right now (end of March, 2018) there is a 4 bedroom/3.5 bath townhouse in Hamilton Heights for sale asking $2,700,000. Larger and more recently renovated townhouses in the area generally sell for between $3-4M.

The Grange is currently at 414 West 141st Street, within St. Nicholas Park. It has been moved twice before but still lies within the property that Hamilton owned. The home was built in an early Federalist style (very appropriate!) in 1802 (just two years before Hamilton’s unfortunate duel with Aaron Burr). Entrance to the Grange is free. There is a section of the Grange that functions as a museum, and you can also sign up for ranger-led tours of the upstairs rooms. Check out their website for details of hours, as they vary throughout the year. In less busy times of the year and during the week, the ranger-led tours can likely be joined close to time, but in busier seasons and weekend days, it is best to be there at least 30 minutes before the tour you wish to join to get added to the list.

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In the museum section, there is a short film about Hamilton’s life.

Of course there is also a gift shop with plenty of Hamilton swag for purchase.

My favorite item in the gift shop was a small book of George Washington’s “Rules of Civility and Decent Behavior.” Some of these seemed self-evident to me (“In visiting the sick, do not presently play the physician if you do not know therein.”) and others amusing (“Show nothing to your friend that may affright him.”). If you want to have a little fun, you can read them all  here.

Heading out for the ranger-led tour, it was wonderful to see this exquisite home beautifully renovated.

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By “ranger,” I mean a real National Park ranger, complete with uniform, which seems a little incongruous in NYC.

This room was Hamilton’s study. The traveling desk he used was the portable laptop of the time, allowing him to write important messages on the go.

The living room featured a portrait of George Washington, and tables for card games.

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The formal dining room was splendid. Because there was no electric light in that time, windows were as large as possible to capture daylight, and mirrors on the walls and on the table were used to reflect candlelight at night.

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Toward the end of the ranger-led tour, there was a very entertaining film about moving the Grange. It was moved the first time because city streets were being built in the area, but the second place it sat was overdeveloped and it became hard to see the house properly. It was moved to St. Nicholas Park by literally being rolled down the street in the summer of 2008.

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The Grange never directly references the popularity of Hamilton due to the Broadway musical. It cannot be escaped, however. While on the ranger-led tour, a young boy (perhaps 6 or 7) raised his hand and exclaimed, “I can name four of Hamilton’s friends – Aaron Burr, John Laurens, Lafayette, and Hercules Mulligan!” The ranger never cracked a smile, and continued his description of the room we were in. I could not stop smiling however, so delighted that a work of art that is so pleasurable can also inspire an interest in history.

Celebrating the Year of the Dog in Chinatown

Several years ago I posted a walk around Chinatown, ending by expressing delight in how a walk of a few blocks in New York City can lead to an environment just as new as you might get by taking a lengthy plane ride. However, in all my time in the city, I had somehow never managed to make it to the Lunar New Year celebration until recently when I went to Chinatown to celebrate the the beginning of the Year of the Dog. My daughter and I arrived about an hour ahead of the parade start on a cold and drizzly day, and were able to be right up against the barricade. By the time the parade started, though, the crowd was packed for at least a block, so I do recommend getting there early if you choose to go.

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Traditions for the Lunar New Year include the color red (symbolizing joy as well as virtue, prosperity, and truth), giving money or presents in small envelopes, and making noise to scare off evil spirits. Dragon or lion dances also represent a way to scare off bad things and welcome in a safe and prosperous new year. All of these are represented at Chinatown’s parade. Being at the front of the crowd, my pockets were stuffed by the end with small envelopes filled with tea or candy, fortune cookies, and even a red folding reusable shopping bag with the year of the dog on it. People watching the parade had bought small popping firecrackers that were set off by throwing them against the ground, and huge tubes that shot confetti for 10 or 20 feet.

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The parade started out with the NYC police and fire departments, including (incongruously, to me at least) firefighters in kilts with bagpipes playing “76 Trombones.” The rest of the parade was much more what I had expected, however.

The Dragon/Lion dances were my favorite parts of the parade. My daughter pointed out that at times the dance seemed to be very similar to twerking!

 

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The Year of the Dog was prominently celebrated, including a few actual dogs. People born in the Year of the Dog are said to share characteristics with dogs, such as loyalty and exuberance.

 

I loved this dog made up entirely of balloons.

 

 

 

This group held a series of cut outs of various breeds of dogs.

 

 

Another dog, this time a person in costume.

I was interested to find out that this Year of the Dog (a Brown Earth Dog year) is predicted to be a good year, but an exhausting one. The antidote to a stressful year is apparently to wear at least some red every day. I tend to do that already, so here’s to a good Year of the Dog!

One World Trade Observatory

As a New Yorker, it was thrilling to watch One World Trade rise for about a decade before its official opening in 2015. I have written before about this revitalized area of the city, now including the Oculus, Westfield and Brookfield shopping areas, and One World Trade, in addition to the reflecting pools on the footprints of the original towers of One World Trade and Two World Trade and the National September 11 Memorial and Museum.

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On a recent cold and clear January day, I visited the One World Trade Observatory and found that it really does provide an enjoyable perspective on the city for those who live here or know it well, in addition to the traditional role of being an attraction for tourists. The entrance to the Observatory is well signed, and can be found either by entering the building from street level on the West Street side or by coming through the Oculus and traveling underground through the Westfield Mall, coming from the east. Tickets can be purchased in advance (which I recommend to save time) or at the ticket office. Tickets are scanned, and then you go through airport-level security. Not only is this not surprising, but it is what we should want security to be, entering such an iconic building. If they find something they don’t allow in the Observatory (my companion had a bottle opener/corkscrew) it is kept until you return, at which time you produce the claim ticket and get it back. As you enter the queue for the elevators, they have done a wonderful job of immersing you in the process of building One World Trade with video interviews from those who helped design and build it. You walk through an example of the Manhattan schist that forms the foundation of this and other skyscrapers in the city. Finally, it is time to enter an elevator.

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In the elevator, the walls are full length video screens, which start out showing Manhattan island around the time of the first Dutch settlement, and proceed forward in time as you ascend the building. The elevators are fast – 102 floors in 47 seconds! – and my ears popped both going up and coming back down later. When you exit the elevator, you are in a room with a long horizontal video screen. When everyone is in the room, it plays a short film about everyday life in New York. The real drama, though, occurs at the end when the screen rolls up to reveal the actual view from the top of the building – it was truly thrilling and a great way to present the panoramic view.

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The view to the west

 

So how high up are you? One World Trade is the tallest building in the Western Hemisphere, standing 1776 feet tall (that height was no coincidence!) but counting the spire, so your height is a little over 1300 feet from the ground. When you are in the Observatory, you are let out on the 102nd floor, which primarily serves as a place to offer iPad guides for rent. Walking down one flight to the 101st floor, there is a restaurant, bar, cafe, and of course the obligatory photo session (you don’t have to participate, and don’t have to buy any photos even if you do).

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The 100th floor is the main viewing area. There is also a gift shop – of course – and a presentation geared mainly toward helping visitors to the city figure it out, called City Pulse.

There is also an area that makes it seem as if you are standing on glass looking all the way down to the ground, but it’s simulated.

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The real joy of being on the observation level for those who already know and love New York City is to experience an entirely new perspective on the city. If you have ever flown into LaGuardia passing by Manhattan, you get an idea of what the views look like, but unlike peering from a plane, you can spend as much time as you like figuring out all the details of the view in each direction.

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Because of the location of One World Trade all the way at the southern tip of Manhattan, some of the most spectacular views are looking north. That is what they show you when the screen is initially lifted on the 102nd floor to reveal the view.

 

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Looking due north, you can see many iconic buildings – the Empire State Building, Chrysler Building, 432 Park – but also can witness the topography of Manhattan Island. Due to how far below the surface the Manhattan schist gets from a little north of the financial district until midtown, you can see the shorter buildings covering SoHo, Greenwich Village, and Chelsea before taller buildings blossom again. It was fun to see Broadway angling across all the street grids, and to find the Washington Square arch and Times Square. To the east you can see Long Island City in Queens.

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North and to the west you see the Hudson River, the piers along the river, and then the massive construction at Hudson Yards in Midtown West. The impact of this development on the city once it is completed can’t be overstated. Across the river to the west, you can see New Jersey.

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Looking east, you can see over other tall buildings in lower Manhattan to view the Brooklyn Bridge, and then north of that, the Manhattan and Williamsburg Bridges, and much of Brooklyn.

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The Southern exposure leads to a lovely view of the Statue of Liberty and Ellis Island in New York harbor, with more of New Jersey stretching out behind them to the west.

I spent about an hour enjoying the views on the 100th floor. I would recommend going around once slowly, orienting yourself to the different views, and the circling back again even more slowly to look for details. I think many times we who call New York City home only experience certain attractions if we have visitors from out of town to show around. This experience, however, I found to be much more than a tourist attraction, deepening my understanding and enjoyment of the multifaceted architecture and topography of this magnificent city.

Wave Hill

New York City is so much more than the skyscrapers of Manhattan (although I do love them). I recently found it is possible to get to a place in the upper reaches of the Bronx via subway, and feel as if I had taken a trip out of the city to upstate New York for the day. Wave Hill is a public garden overlooking the Hudson River (and across the river to the Palisades of New Jersey) in Riverdale. I visited there this autumn, taking the #1 train to the end of the line (West 242 Street) and being transported to Wave Hill by a free shuttle van that picks up near the subway at 10 minutes past the hour. You can also get there via Metro North, taking the Hudson Line to Riverdale and being picked up by a free shuttle bus.

Wave Hill was built in 1843 as the country home of a NYC attorney. Teddy Roosevelt’s family rented the estate during the summers of 1870 and 1871, and the city boy’s exposure to such beautiful natural scenes no doubt inspired his later love for the outdoors, leading to the creating of the National Park system. Mark Twain later leased the estate from 1900-1903, and conductor Arturo Toscanini lived there from 1942-1945. In 1960, the family who owned the estate gave it to the city of New York, and Wave Hill was incorporated as an non-profit organization. It is now open year-round, except for holidays, with shorter hours during the colder months and longer ones during the summer ones.

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Walking to the welcome center, it is hard to believe you are still within the five boroughs of New York City.

The Visitor’s Center has local items (like honey of different colors depending on which flowers the bees were supping from) for sale, and a very upscale restroom (I was impressed by the golden sinks and fancy wallpaper!).

You can go into the various greenhouses as well as exploring the vast landscaped gardens.

 

There are many different places to sit and enjoy the quiet and the scenery.

There were lily ponds, and several cats roaming the grounds.

The feeling, the sounds, and even the scent of the air, varied from area to area within the large estate.

The most spectacular viewpoints, of course, are those overlooking the mighty Hudson.

They have a lovely cafe on the grounds, featuring local farm-to-table fare (on the right above is avocado toast with lovely radish slices on top).

After several hours at Wave Hill, I was reminded of the concept of “forest bathing” – the idea of walking among trees and nature as a health practice like going to a spa. (Learn more here.) I certainly felt cleansed, mentally and physically, after strolling through all the gorgeous dense trees and gardens.

I’m sure they change these maps out seasonally, but here is the autumn one to give you an idea of the layout of Wave Hill and some of the details. You can also find plenty of information to plan your trip at their website.

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Halloween Townhouses of NYC

People who don’t live in New York City might wonder how – or even if – NYC children trick or treat. They definitely do; many larger buildings keep a list of people willing to accept trick or treaters, and residents of the building can pick up a list on October 31 so that they and their children don’t knock on the doors of too many empty apartments. In my experience, you can end up with a prodigious amount of candy (and the occasional healthy treat) in a large apartment building – even better if you pair with another family in another building and maximize possibilities in both places. (Insider tip: take the elevator to the top floor and use the stairs to walk down, if you are able – the elevators become very busy on Halloween night.) However, there are places in the city where you can trick or treat in a very traditional, door-to-door manner – primarily the townhouse blocks on the Upper East and Upper West Sides of Manhattan, or Brooklyn Heights and Park Slope, Astoria in Queens, etc. In addition, some of these houses go so all-out on decorating that they make the few weeks leading up to Halloween a “treat” to walk past. This October I made a point of stopping to take photos of houses I happened to pass while walking around the Upper East Side. I will start with a few sedately decorated examples, and progress to the truly terrifying. Perhaps one aspect of the legendary toughness of a native New Yorker is having to pass the gauntlet of horror at some of these homes to score a Reese’s Pumpkin!

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This building is keeping it classy. A seasonal display of pumpkins brightens the foyer.

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Friendly jack-o-lanterns accentuate this private garden.

These two townhouses have picked up the fright factor a bit without going too far – a few fluttering ghosts and a welcoming row of skulls let you know this is probably a good place to trick or treat.

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If this one was closer to the door, its scare factor would go up, but as is, it decorates the house nicely without being too terrifying. I like how the ghoul is holding a pumpkin.

This is a selection of decorations that I find to be fairly typical of what you see this time of year, some scary touches and nice additions to any city stroll.

Two views of this townhouse – I love the white pumpkins, ghosts, and seasonal plants leading to a giant inflatable  (but not too scary) Pumpkin King.

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Even though this is a skeleton, the presence of his skeleton doggies brightens up the scene, in my opinion. I really enjoyed this one.

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Similarly, these skeletons have a jaunty, Pirates of the Caribbean vibe . . .

I noticed a theme this year of many townhouses covered with spider webs, often along with the spiders and sometimes also other frightening figures.

Now we are progressing to a higher scare factor: this Dracula actually emerges and returns to his coffin on regular intervals. Note that trick-or-treaters would need to walk right past this to ring the doorbell!

This townhouse really followed through on its zombie theme.

The suit of armor is a unique touch, and pretty creepy.

Not much to say – these are just disturbing.

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This house wins the prize for most terrifying decoration that I happened to pass by this year. I would find it difficult to approach these figures in broad daylight, and can only imagine what it would be like to pass them on Halloween night to ring the doorbell!

On Halloween night, many of these homes will open their doors to reveal mini-haunted houses, and often the residents also dress up. My most vivid Halloween memory as a child is of approaching a house, and being absolutely terrified of the zombie who answered the door. When I ran away rather than take candy, he ran after me offering a bowl of treats – but to my terrified mind, he was simply chasing me! Ah, the joy of being scared, as long as ultimately it is in a safe setting. New York City is such a wonderful place to live, and the dedicated and fortunate owners of these townhouses enrich it with their decorations. There are many advantages to living in a townhouse – outdoor space, not sharing walls or floors/ceilings with neighbors, abundant space – but the ability to express yourself to the community through your decoration is certainly a plus for many.