Month: November 2023

The night before Thanksgiving, a family member and I attended a show that has been a tradition for us going back several decades now – the Radio City Christmas Spectacular. This was my first time going back to Radio City Music Hall since being able to experience a backstage tour earlier this fall, and I feel that I had even more appreciation for this very very special venue. Nicknamed “The Showplace of the Nation,” it certainly is that – but it completely belongs to New York City! Opened in 1932, this magnificent Art Deco masterpiece is entirely unique. Its interior was declared a city landmark by the NYC Landmarks Preservation Commission in 1978, and the exterior was landmarked in 1985 (along with the rest of the Rockefeller Center complex).

Originally intended to be a venue for stage shows, the opening revue was so long and tedious (and badly reviewed) that within two weeks Radio City had been converted to a movie house (with almost 6000 seats!). The Rockettes (originally the Roxyettes after theatre impresario “Roxy” Rothafel) would perform between shows, and there were also an in-house orchestra and chorus. Many films received their premieres at Radio City, including King Kong (1933), Breakfast at Tiffany’s (1961), To Kill a Mockingbird (1962), Mary Poppins (1964) and The Lion King (1994). In the 1970’s, Radio City’s attendance had dropped to the point where there was talk of it being torn down and the area redeveloped (this was before it was landmarked). But a shift toward using the venue as a concert hall improved the financial picture, finally turning a profit again by 1985.

Radio City has also been the venue for numerous award shows, including the MTV Video Awards, the Grammy Awards, and my favorite, the Tony Awards! Attending the ceremony in 2022 was the realization of a life-long dream (you can read more about it here).

Radio City Music Hall has a backstage tour (find out more about it here) but rarely can you go on the actual stage, as I was fortunate enough to do this fall. The reason why it is so unusual to go on stage is that the venue is busy and most days of the year a show is loading in or out, preventing you from being able to go backstage or on the stage itself. Standing on the stage, you really appreciate how enormous the stage is (and the auditorium!). I loved knowing that my feet were standing on the same stage as so many Rockettes had done throughout the years.

It was disconcerting – but also fun! – to see the auditorium with house lights on, and the stage revealing things usually covered by a set or screen.

Going away from the stage in the backstage area, there was always clear signage to show directions – Radio City Music Hall is massive, and covers 50th to 51st Streets, facing Sixth, and a considerable amount of the block heading toward Fifth.

Seeing the mechanicals that allow the orchestra to rise up from below the stage to stage level, as well as travel from the front of the stage to the back, was amazing. This hydraulic mechanism is original to the building, and is a Mechanical Engineering Landmark (the first I had heard of such).

Heading to the rehearsal room, I passed interesting artifacts and posters.

The rehearsal room for the Rockettes had practice blocks for the number where they have seemingly random letters on blocks that end up spelling a phrase (I won’t spoil it for those yet to go!), a huge full-length mirror, and a way to measure to see if you are tall enough to be a Rockette (you need to be between 5’5″ and 5’10, reduced from 5’6′ before – but I’m still too short!). By the way, the illusion of all the Rockettes being the same height is accomplished by carefully tailoring the costumes so that they line up exactly the same at the waist, and by putting the tallest in the middle and very gradually reducing height as the line continues on each side.

In the private VIP suite, there is a book that everyone who plays Radio City signs.

If you’ve ever wondered, this is the view from the top row of the top mezzanine (there are three of them, all stacked above the rear orchestra). From this distance, you can really see that the design around the stage was intended to look like the setting sun.

Another amazing thing about Radio City Music Hall is that there are two mighty Wurlitzer organs to either side of the stage, the largest instrument built by the company with 58 ranks of pipes and 4,178 pipes. For the Christmas Spectacular, two organists play before the show begins, play as the show ends and people depart, and occasionally during the show. My friend Trent Johnson is one of the organists and was kind enough to let me use these photos showing the organ (and himself!).

The Christmas Spectacular famously features live animals for the living nativity scene, and if you live in the neighborhood you might be lucky enough to catch the animals coming in the morning of a show. I took these photos after seeing the camels out on the street on the way to a morning meeting – proving once again that you never know what you will run into walking in New York City!

The Christmas Spectacular is always enjoyable, and yes – spectacular! For my family, it’s a yearly event, but most attendees seem to be visiting based on the surprised reactions you hear at many parts of the show that are nostalgic for those of us who may be going for our 10th or 25th time.

The last public performance I attended before everything shut down for the Covid-19 pandemic in March of 2020 was seeing Riverdance come back to Radio City for its 25th anniversary performance on March 10th (I still marvel at how we sat there in the crowded orchestra, all unmasked, with no idea of what was about to happen). By March 13 the remaining Riverdance shows had been canceled (Broadway shut down a day earlier, March 12). That pandemic time was tough on me, and on New York City in general (I wrote about it in some detail in this blog post). But as I walked past Radio City during the shutdown, the famous marquee declared “Together Better. Together as One. Together Stronger.” Radio City Music Hall is an icon of New York City, and has had its ups and downs. But it’s still here, rising up again after any setback. How emblematic of this complicated, exciting New York City that I love!